Preface to Description -
Hello and thank you for stopping by. I'm writing this description for my midterm project after I have read of review from a classmate. They had viewed my video post and posted the review on facebook (for the art critique assignment). I agree with a lot of points people are getting at when they watch my video. I must honestly admit that I procrastinated a great deal of the very plot of my story - and it keeps changing; the more and more I think about it - I'll get different ideas. There are already a few things that I want to change from what you will see above. In the following description, I will include elements from the above video, as well as changes I intend to make for my final animatic project.
Color Scheme -
I'm using a tri-chromatic color scheme including blues, light blues, oranges, and browns. I want to tie in a lot of those natural earth colors as the setting takes place outdoors on an ocean. I'll need to show different colors of ocean water with orange colors of the sun reflecting on to the water. I want to blend both the tranquility of blue and the energy of orange to show great contrast as a visual element. These colors compliment each other and are naturally pleasing to the eye. In the video, I mention tranquility and energy being two characteristics of my main character, Malaiya, but now I feel that she might be less tranquil than I planned for her to be - I changed my mind with her and I want less tranquil. However, blue could also represent loneliness or sadness ; which Malaiya experiences with the death of her family (which is killed by Pyite clansmen searching for Malaiya); so my original plan will ultimately be similar with some modifications. The setting takes place on a wooden vessel in the ocean, so I will also need to incorporate natural browns which will fulfill the tri-chromatic color scheme. For the digitally savvy readers - my main palette will consist of #FFB400 (orange), #1F1AB2 (blue), #104789 (light blue), #A67500 (brown). Here's a table i just built while writing this display my complete color palette:
Hex Code Table for Color Scheme |
---|
#FFC740 | #FFB400 | #BF9530 |
#FFD763 | #A67500 |
#333086 | #1F1AB2 | #534ED9 |
#0C0874M | #7673D9 |
#29477F | #1047A9 | #4577D4 |
#052A6E | #6090D4 |
Background Mass -
I've chosen to include little to no background objects in my animatic. I will include things like the sun, the ocean water, and possibly a mountain or hill with a singular lighthouse on it - I'm trying to create the loneliness, sadness, and emptiness that Malaiya is feeling while she grieves for her family's recent deaths and searches for the answers to why they were all killed.
Location / Setting -
This is one section that I'm changing my mind with. In the video, I mentioned that I wanted this animatic to take place off of the coast of Liberty Island; so you would see the Statue of Liberty in the background, but I'm thinking about doing something different now. Having the coast of Liberty Island as a setting doesn't really fulfill the loneliness theme I'm going with and, to boot (taboot taboot), doesn't make for an interesting science fiction setting. I really wasn't thinking it through when I originally decided to go with Liberty Island. I just knew, at first, I wanted to think of a place that viewers would remember if they watched my animatic; most people know of the Statue of Liberty; which seemed like a perfect place for an aerial battle of people with super powers. I'm thinking I won't include the Statue of Liberty now. I will include something closer to the lighthouse image from the video above.
Overal Look/Feel/Mood -
The overall look I originally chose was color pencil drawing; especially after I found the drawing of what could be Malaiya; it really spoke to me. Now, as expected, I'm thinking about doing mixed-media of alter images and drawings to create a unique look a feel. This will help to strengthen the science fiction aspect of my piece, I hope. I will alter, manipulate, and create images in Photoshop and take it from there.
Composition/Aspect Ratio -
Originally (do we see a pattern here?) I described using the acade -my standard ratio of 4:3, but now I'm feeling that wont be as exciting as widescreen, 2:39.1 ratio. This theatrical ratio works so much better for fight scenes and action sequences; which brings me to another point. I now want my animatic to have both action and science fiction elements in it.
Props -
My props will include just a few keys things for the viewer to be expected to remember. I will have my main character sailing on wooden vessel which will have a particularly creative steering wheel, and I mention both of these in the video. I also want to highlight on a specific and unique looking necklace that Malaiya will be wearing. Other than that, I don't want to focus on too many inanimate objects. I want the viewers focus to be on the onscreen characters and dialogue.
Summary -
I believe that many aspects of my art direction will make this a memorable animatic to those who view it. The color scheme will significantly show both contrast, harmony, and unity. Blue and orange colors are complimentary, yet will yield great contrast. With introducing a third color in the tri-chromatic scheme, I start top develop harmony and balance; and when bouncing the orange reflections of the sun off of the skin of the ocean you create unity and togetherness within your composition. I'm choosing orange to represent the energetic drive Malaiya has to find the answers she's looking for and I want the blue colors to represent her sadness. I continue the sadness or isolation feeling by having little to no images or items in my background mass. I just want to focus, as far as background objects are concerned, with the sun, the ocean, and a hilly mountainside. I want to include a little number of props, as well to have the viewer focus more on characters and dialogue. More importantly, the viewer will remember this animatic, as it's science fiction in nature with action elements. Did I mention that the ship Malaiya is sailing on is a flying ship. That will make a huge difference in the story being science fiction or not. I need the ship to be a flying ship; I think. Otherwise, this story isn't sounding too science fiction until you get to the part where you have people flying around and shooting energy blasts at each other like Dragonball Z. I could go into more depth here about my story - as background story will be needed and will be useful to understand the elements that I've chosen.
I will re-write this story and post it here in a blog before beginning to work on the final animatic, so feel free to stop back by once I've posted my re-written version of this story if you are interested so far. I thank you for your time and I'm really appreciate the constructive criticisms and critiques. It's really helping me think and decide to make a much better, well-though, final project. How can I not thank everyone for that.
"...when you're knocked down, we'll help you up..."